Minimalism Essay example -- Essays Papers

MinimalismIn order to understand minimal artists tendency to produce objects and not images, we postulate to define minimalism. Michael Delahunt at Artlex (1) refers to minimalism as A twentieth century style of art stressing the idea of reducing a work of art to the nominal number of colors, values, shapes, lines and textures. But I think this definition does not completely reflect what minimal artists did. They did not get interested in complex things as colors, values, lines etc. They preferred objects to images or I would rather say brushstrokes. Because that they believed that less is more, even brushstrokes were too much for them.Minimalists were against self expression. They wanted to use the marrow a ready made object already has in it. This was totally suitable for their purpose of using minimum effort and material for an artwork. Preparing an image would clear too much of the artists time and effort. And whats more, it would have self expression in it.They also believed that art could be concieved by mind before execution. That is, peerless must be able to explain an artwork to another who hasnt seen it. For example Mohology-Nagy gave instructions by phone to a factory for one of his works(2). This fecal matter be thought as a instruction manual for an artwork (I think we give the axe call minimalism as D.I.Y. art). But you cant do this kind of art with a painting. Can you think of it? put some yellow there, mix red with brown and put it on the tree with ...

The Latin Image :: Latin Americans Romance Love Movies Essays

The Latin Image The romantic and erotic Latin image implied recognition that Latin Americans and Romance peoples produced persons of great beauty and attractiveness.(Rios-Bustamante,21) The most preponderating stereotype that surfaces in The Four Horsemen of the Apocalypse and The Mark of Zorro is that of the Latin Lover. This stereotype may be pictured in a more positive vague because in comparison to other demeaning Latino roles in early American film, the Latin Lover is characterized by suavity and sensuality, tenderness and sexual danger.(Ramirez Berg,115) harmonise to Ramirez Berg, this stereotype we owe to one star Rudolph Valentino.(115) In The Four Men of the Apocalypse, Valentino plays the character of Julio, a man destined to bear the burden of allowing twain his grandfather and his father to relive their lives through him. Alexander Walker speaks of the classic scene. Few film entrances are as stunningly designed as Valentinos in The Four Men of the Apocalyp se..the sequence loses nothing by being so calculatedly staged the impact on audiences was instantaneous. This description shows the impact that Rudolph Valentino had on audiences as the pilot program Latin Lover of the American cinema(even though he wasnt Latino.) Julio is suave and sensual throughout the film, particularly while seductively dancing the tango. Although he is portrayed as this dangerous lover who is worshipped by his models, he is not depicted as a true hero until he offers to fight for his fathers country in the war. It seems as though he actually changes into a man of honor-what anyone least expected from this spoiled son of privilege http//www.mdle.com/ClassicFilms/FeaturedVideo/video16.1.htm In The Mark of Zorro, Douglas Fairbanks plays the role of the snappy Zorro, the almost mythical superhero who battles tyrannydefends the rights of both gentry and rabble equally. This film is a good example of the sensuous, desirable Latin Lover stereotype because Fair banks is portrayed both with and without his mask. When Fairbanks is playing the role of Zorro, he is strong, valiant, and romantic. The girl is much more attracted to the dashing Zorro, who romances her in her garden one day. When he embodies the character of fag out Diego Vega, he acts timid and weak, and has trouble winning Lolitas affection. The much stereotyped Latin Lover image was portrayed only by the masked man until the really last scene when Don Diego reveals his identity and protects the woman he loves.